The Guide to Memorials for Soldiers in Israel (2014-2016) is a pocket size book of images and descriptive text of memorials for Israeli soldiers in Israel. The book explores the relationship between places and memory and the way in which memorials have become part of the physical and social landscape in Israel. The shape, colour, location and size of memorials are analysed, along with the quality of the images of memorials revealing micro-narratives and meanings that might otherwise go unnoticed. The book also reve thals the tensions between personal and official commemoration, and personal and collective mourning. Ultimatelye book is a memorial in itself and a form of resistance to the repetition of death and violence motivated by all types of nationalism.

A Study on London Youth
A book of photographs taken on a housing estate in Deptford, South East London where Julian
Mährlein lived while studying on the MA Art & Politics programme at Goldsmiths College. The
resulting limited edition book was distributed, only to people living on the estate.
A Study on London Youth led to London Youth, published by Hoxton Mini Press
Jinulian Mährle

Action to produce a high degree of engagement is an invited contribution to the museo en
residencia, currently showing in Southwark Cathedral, London. Like all the work in the museo en
residencia, Action to produce a high degree of engagement conforms to 15 cm x 13 cm dimensions.
It consists of three rolls of cloth tape, placed one on top of the other. On top of these is a cutting
knife, blade open. Action to produce a high degree of engagement is a performative work that
invites handling and application. It operates somewhere between the world of art and the material
world of familiar, useful and functioning things.

ALTER
Alter began in response to the pressure, isolation and rising numbers of mental health issues as a result of the Covid pandemic and the loss of Queer space in London (Queer is used as an umbrella term for the LGBTQIA+ community)and through gentrification and community displacement. The project raises questions about what Queer space means and how we can create this for ourselves and our communities. ALTER is a traveling ‘container and instruction-led process‘. It circulates among Queer communities in London and aims to connect the wider Queer community through stories and intentions that are shared in order to support one another. Through this journey, each person who sits with the work will co-curate and add to this growing archive.
Murat Hassan

Education As Experiment
A one-day, curated event by the Alternative Art College (AAC). “Located inside the walls of the education factory that is Goldsmiths College.Education As Experiment explores an alternative to consumer culture”
Paul Stewart is currently Principal Lecturer: Art Programmes at Teesside University as part of the MIMA School of Art and Design. Co-Course leader for BA (Hons) Fine Art and Co-Course Leader for the first Degree Apprentice MA Curating in England. Stewart completed his PhD in 2018; titled the Alternative Art School and completed the MA Art and Politics Programme at Goldsmiths (2012). He was the co-founder of the Middlesbrough Art Weekender in 2017, and previously the Learning Research Co-ordinator at TATE. He founded the Alternative Art College, a nomadic art school (2011-2014).
Paul Stewart
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Bad Ideas
A slow moving event that unfolds over seven hours during the Venice Biennale as a boat carrying over seventy filled refuse bags printed with the words Bad Ideas, winds its way through the city. The event was recorded and distributed across social media platforms through the near constant ad hoc encounters with the public on passing vaporettos and gondolas, on bridges overlooking the canals of Venice as well as in canal facing streets, piazzas and campos where everything is a potential image to be taken and posted.

Belanda originally Blanda is a contraction of three words. (Blond - lang - Holland). (This etymology
has been provided by a very old Dutch family from the East Indies that was living in Java).” In an
Unabridged Malay-English Dictionary by R.O. Winstedt, the entry for Belanda reads “Hollander,
Dutch; European.” The addition of European might suggest a more general description of White
people than just the Dutch. The entry gives two examples of usage that reinforces the possibility that
Belanda is closer to white / pale / bland than Hollander: “Batu Belanda - artificial or paste diamonds.
Beras Belanda - pearl barley (that has been processed to remove its fibrous outer hull and polished
to remove some or all of the bran layer).”

C Town Unextraordinary
The location and focus of this curatorial project is Daerim-dong, Seoul’s largest immigrant residential
area in the heart of Seoul where the sense of marginalization has become normal in this city. Eight
artists were invited to explore this transnational space and the reasons that the neighbourhood has
become the subject of a toxic urban legend when Daerim-dong was depicted as a hotbed of crime in
the movie Midnight Runner The artists in this site-specific project explore how Chinatown leads as
ordinary a life as any other neighbourhood in Seoul. The work of these artists is installed across
Daerim-dong in, among other places, karaoke rooms, billiard halls and restaurants, and on the street
so that the everyday public in and beyond Chinatown are encouraged to engage with it
Seungha Lee

Canary Island Commons Historical Guide
A site-specific intervention at the Canary Wharf shopping mall in which a giveaway Historical Guide to the ‘future’ of this location in which the artist imagined it as an island - resulting from climate change that raises the level of the Thames - with a community of squatters inhabiting the now abandoned complex. This new community are called the Canary Island Commons. Copies of the guide were distributed across the complex among the official maps, art guides, and newspapers available in the Canary Wharf shopping complex. The guide includes a link to a that offers more information about the world of the Canary Island Commons, along with an explanation of the project
Olivia Rosane

Celebrate Social Housing
A pop-up Museum of Social Housing was established in Columbia Point, tower block, Canada Water,London. The museum hosted numerous events during its short life. Housing activists gathered in the museum to share information and as an act of solidarity. an exhibition on social housing was curated and banners and Christmas cards were designed and distributed from the museum. Long term connections were also made and future projects developed out of the museum continue to grow and flourish
Lowri Kearney | Rachel Reid | Daniela Castelli

CHANGE
This is a site specific, temporary work. Located in Deptford Creek, South East London, it works with and disappears with the ebb and flow of the tide which rises in the creek to an extraordinary six metres. The work is fully visible at ebb tide twice a day. Official permission was not sought to do this work, nor was there any attempt to explain or assign authorship to the work. CHANGE functions in the space been legal and illegal interventions in the public domain through the temporary removal of algae from the wooden surface of the creek wall.
Letters cut from sheet wood were used to trace each letter onto the creek wall after which the algae within each traced letter was scraped from the surface of the wall.
Craig Clark | Robert Davies| Tegan Joyce | Sarah Peace | Clara Verdier | Marijam Didžgalvytė

Collective Ferment
At the centre of this work was a fermentation process that corresponded with the timeline of the Triennale
Part 1: installation, exhibition - containing fruit and plants - of two holding tanks.
Tank 1 contains fruit (80 melons + 11 lemons) fermenting in 200 litres of 35% proof alcohol.
Tank 2 contains plants (variety of plants) fermenting in 350 litres of 25% proof salted water.
The contents of the tanks change colour, position, form and texture as the fermentation process takes place during the Triennale, by the end of which they are ready to be bottled and distributed to the local community as well as to art institutions and curators around the world.
Part 2: Drunken Melon Workshop – bottling and distribution workshop (for consumption and contemplation).

Crash
Triskel Arts Centre, Cork a work in three parts:
Part 1 designed for an audience consisting of gallery director and cleaning staff who witnessed a 550cc motorcycle drive through the newly built wall of the main gallery into the adjoining office space.
Part 2 designed for gallery staff prior to the exhibition opening who witnessed the motorcycle ramp in the gallery space (before it was removed), the breached wall in the gallery (before it was covered up) and the upended motorcycle in the adjoining office space (before it was removed).
Part 3 designed for the general public who, on the opening night of the exhibition found a freshly cleaned gallery and a large piece of black polyurethane sheet covering the section of the wall which the motorcycle breached.
Artists: John Reardon / Declan Kennedy

Trying Harder
Trying harder consists of an electric blower that nosily attempts and fails - blowing non-stop for six
minutes before stopping - to fully inflate a large attached plastic form. The blower attempts to
inflate the large plastic form for six-minutes, at intervals of twenty- five minutes, each time failing in
its attempt.
Action to produce a high degree of uncertainty
This consists of two framed and signed photographs documenting an exchange I had with residents
of the apartment block, opposite Å+ gallery. Residents involved in this exchange were given a
limited edition photograph of Å+ gallery (taken from their apartment block) in exchange for
attaching a single orange coloured plastic bag (from the nearby grocery store), to their balcony for
the duration of the exhibition or until the bag is blown away or removed.